These subtle worlds of ochres are a coloured memory of the land, a record of place and of deep time.

My relationship with wild colour and raw, native materials invites a deep intimacy with the Earth. It is a continuous conversation that brings me deeper into my senses and my body as a continuation of the living landscape ~ whether I am gathering the minerals, processing the pigment, or using this colour to paint with.. the entire process is deeply engaged and relational.